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# Ciné

À l’orée des rêves

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This article is from the issue  149

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Avec La Fièvre, la réalisatrice Maya Da-Rin signe un premier long-métrage politique, énigmatique et flamboyant.
U
u homme, en tenue de chantier, se tient debout devant un container, les yeux mi-clos, l’air fébrile. Des chants d’oiseaux, d’insectes, des sons d’une forêt invisible se mêlent aux fracas métalliques des machines. La caméra recule et le vacarme de la jungle s’estompe, jusqu’à ce que la sonnerie d’un talkie-walkie retentisse et tire l’homme de sa rêverie. Cet homme habité par un monde qui n’existe que par la bande sonore - c’est Justino, issu de la communa...
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